These stories have the virtue of taking the everyday lives of gay Trinidadian men utterly for granted in their searches for adventure, pleasure, self realisation, loving contact and sex. Written with a sharpness of perception and in a variety of engaging personal voices, these narratives find room for humour, tragic haircuts, and a connection between tattoos and terrible poetry. But they also acknowledge very real fears in a society where there is still prejudice, discrimination and homophobic violence. The narrator of several of these pieces is a writer who wants to focus on the pleasures and inner dramas of these lives as the truth about gay experience. But there are also the stories of brutal murders reported with coy innuendo in the press. If he is tempted to see his lovers as characters in a witty fiction of manners, is this the novel that can be written in Trinidad? And since this is Trinidad, could the conflicted, self-hating Dorian really be a serial killer? But then when one of Bagoo’s writer narrators unwittingly alarms his writing buddies by the freedom of his gothic imagination, who knows what might be true. Not for nothing does the author include the singer Kate Bush with her Wuthering Heights in his acknowledgements. Bagoo’s stories offer a witty and incisive portrait of contemporary Trinidad in all its intersections of race, class and gender politics. Not least, they have a strong sense of place – Bagoo’s gay Woodbrook offers a fine sequel to V.S. Naipaul’s Woodbrook in his classic Miguel Street.


"Bagoo takes a long view of the short story and has a particular gift for stories made of stories: the haircuts along a young man's stumbling path to wisdom or the sexual encounters that map the history of a failing relationship. There is pathos here, and sometimes anger, but above all Bagoo is a very funny writer, his crystal-clear prose making the most of his dry, self-deprecating humour."

– Jo Lloyd, winner of the 2019 BBC Short Story Award and author of SOMETHING WONDERFUL



"Any book of queer stories with a Kate Bush title reference has a lot to live up to, but Bagoo's collection–witty, intelligent, humane–is so inventive, so full of surprises at every turn, that I found myself wanting to return to his voice again and again. Bagoo is working out queer cultural concerns in an honest way here, and it's truly exciting to witness his rare talent developing with each story. Read this now."

– Garrard Conley, author of BOY ERASED